I tried out 200 words or phrases for photo prompts in Midjourney! Here are the results!

The speaker, Th, introduces their interest in AI technologies with a focus on experimenting with Mid Journey's latest versions. They aim to explore how different words and phrases can alter the appearance of photo prompts in Mid Journey. Th plans to test a list of 200 words or phrases on various reference subjects such as a man in a mask, a meadow, a cat, and a house. The effects range from subtle to significant, and Th encourages viewers to try piling effects for more pronounced results. They note that some effects might produce unexpected interpretations. The speaker also mentions that they will not comment on styles but provide definitions for each phrase or word, inviting viewers to share their favorites and to subscribe for more content on prompting, styles, and AI technologies.

This paragraph delves into various lighting and color effects that can be applied to photo prompts. It covers terms like 'aerial,' 'ambient occlusion,' 'analog film grain,' and 'antique style,' among others. Each term describes a specific visual effect or style, such as 'aerial' referring to an overhead perspective and 'analog film grain' indicating the granular texture of traditional film photos. The paragraph also touches on 'Art Deco' design elements, 'astrophotography' for capturing celestial bodies, and 'atmospheric haze' for a dreamy landscape look. The effects are intended to inspire a sense of wonder and can be combined for a customized look.

The third paragraph discusses artistic styles and techniques that can influence the outcome of photo prompts. It includes a wide array of styles, from 'bleached' and 'butterfly lighting' to 'charcoal sketch effect' and 'Chenille.' The paragraph also explores 'celestial motif,' 'chameleonic,' and 'color inversion,' offering a diverse palette of artistic influences. Each term provides a unique approach to altering the look of a photo prompt, from mimicking the style of comic books to creating a sense of depth with 'cobwebby' textures or a celestial feel with 'cosmic' themes.

This section continues the exploration of effects with a focus on advanced visual techniques. It includes 'depth map,' 'dimensional,' and 'dissolved,' which refer to the representation of distance and three-dimensionality in images. The paragraph also covers 'distressed' materials, 'double exposure,' and 'duo tone,' which are techniques for combining images or colors. Additionally, 'electrifying' and 'engraved' are introduced as descriptors for thrilling visuals and hard surface designs, respectively. The paragraph concludes with 'futuristic' and 'geometric abstraction,' emphasizing a forward-looking and structured approach to visual art.

The fourth paragraph focuses on color and light manipulation techniques. It starts with 'HDR' for high dynamic range imaging and moves through 'high angle' and 'high contrast' to describe camera perspectives and lighting. The paragraph also introduces 'holographic shimmer' and 'iconic,' referring to shiny rainbow-like effects and widely recognized imagery. It discusses 'infrared' photography for unique effects and 'isometric perspective' for a specific type of two-dimensional drawing. The variety of effects aims to capture the viewer's attention and provide a visually rich experience.

This paragraph explores special effects and camera techniques that can be applied to photo prompts. It includes 'mirror symmetry,' 'mixed lighting,' and 'monochromatic palette,' which are used to create balanced, varied, and single-hue color schemes. The paragraph also covers 'moonlet,' 'motion blur,' and 'multiple exposures,' allowing for the capture of light from the moon, the streaking of moving objects, and the combination of several images. Additionally, 'mysterious' and 'ND filter' are introduced for creating enigmatic images and reducing light entering the lens, respectively. The paragraph concludes with 'neon outlines' and 'Nikon D850,' highlighting the use of bright glowing lines and a professional-grade camera.

The sixth paragraph delves into various photography techniques and styles. It starts with 'noise distortion' and 'non-Euclidean geometry,' which refer to grainy interference in images and a curvature-based approach to design. The paragraph also covers 'off flash,' 'op art,' and 'opulent,' which are related to the use of external flash, optical illusions, and lavish richness in visuals. It discusses 'otherworldly' and 'overexposure,' allowing for the creation of images that seem to come from another world and images that are too bright due to too much light exposure. The paragraph concludes with 'panning' and 'pixelated,' emphasizing camera techniques where the camera follows a moving subject and the creation of images where individual pixels are visible.

The seventh paragraph discusses creative and themed effects for photo prompts. It includes 'polarized' and 'pop art colors,' which are related to light that vibrates in a singular plane and vibrant, bold colors. The paragraph also covers 'post-apocalyptic theme,' 'prisms,' and 'psychedelic colors,' allowing for the creation of images based on a world after a catastrophic event, the refraction of light, and intense, swirling colors. Additionally, 'pulverized,' 'quicksilver,' and 'redshift' are introduced for creating images that are reduced to tiny particles, the use of a changeable or volatile element, and the shift towards longer wavelengths. The paragraph concludes with 'reflective' and 'Rembrandt lighting,' emphasizing the ability to reflect light and a specific portrait lighting technique.

The final paragraph focuses on artistic and aesthetic styles in photography. It starts with 'sanded' and 'sculpted,' which refer to the smoothing or polishing with sandpaper and shaping from materials like clay or stone. The paragraph also covers 'sculptural,' 'selective color,' and 'CP tone,' which are related to art resembling a sculpture, a technique that leaves some parts of the image in color, and a reddish-brown tint for a nostalgic feel. It discusses 'shadow puppetry,' 'shattered,' and 'silhouette,' allowing for the creation of stories using figures between a light source and a screen, broken pieces, and the dark shape of an object against a lighter background. The paragraph concludes with 'silicon,' 'solarized,' and 'soft focus,' emphasizing a smooth and shining material, a photographic effect with reverse tones, and a hazy, dreamlike effect.

The eighth and final paragraph explores advanced photography techniques and effects. It includes 'solarized,' 'split toning,' and 'split lighting,' which are related to a photographic effect with reversed tones, a process where different colors are used for shadows and highlights, and a lighting technique that illuminates half of the face. The paragraph also covers 'star trails,' 'steampunk aesthetic,' and 'stencil,' allowing for the capture of star movements, a fusion of technology and aesthetics from the 19th century, and design created with cutout sections. Additionally, 'stippling effect,' 'street style,' and 'stunning' are introduced for creating a pattern with small dots, a fashion style from urban streets, and images that are extremely impressive or beautiful. The paragraph concludes with 'synthwave aesthetic,' 'thermal imaging,' and 'tilt-shift photography,' emphasizing a retro-futuristic design, a technique that visualizes temperature differences, and an effect that makes scenes appear miniature.